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  • Maui musicians bring home Na Hokus 2017

    Excerpts from Maui News Colleen Uechi.

    While the band Keauhou won big for its debut album, artists with Maui County ties also shone — taking home awards in major categories and making a bit of history at the 40th annual Na Hoku Hanohano Awards ceremony Saturday night [May 20, 2017] on Oahu.

    Kahumoku, a multiple Na Hoku and Grammy award winner, agreed that a new generation is taking the stage and that it’s “harder to win now because I’m from the old generation.” Nevertheless, the longtime Maui musician won another Na Hoku on Saturday — this time in the Christmas Album of the Year category for his 11-track release “Maui Slack Key Christmas.” He called the album a “fun, kind of off-the-cuff” project.

    We were certainly honored that we won anything at all,” Kahumoku said. “The Christmas album was pretty solid. I’m glad that my wife got me out of the taro patch pulling weeds to create this album.

    He said he spent much more time on “Kahumoku — Priest of the Land,” which was nominated for Slack Key Album of the Year. Kahumoku said that the difference he sees between his generation and the next is that newer artists have “more access to their audience.”

    For us, our audience was we had to play music and be there. That’s how we made contact with our audience,” he said. “These guys, they have social media. . . . Everything’s a lot more instant. I think that’s an advantage with technology.

    But, some things won’t change.

    It still has to be good music,” Kahumoku said. “You still have to make a connection with your audience.


  • Remembrance: Eddie Kamae

    Legendary Hawaiian musician, composer and filmmaker, Eddie Kamae passes Jan 7, 2017, at age 89.

    I first met Eddie and Myrna Kamae through my sister-in-law, Leona Kamoku. Leona was a waitress at Pineapple Grill in Kapalua on Maui where she befrended Myrna while Eddie was courting Myrna. We were all ‘connected’ by Myrna and Leonas friendship and shared many homemade meals of stew and rice, or chicken long rice with lomi salmon and poi at Leona and Pauline Kamoku‘s home on Manono Street in Hilo.

    Eddie was born on Maui in Oluwalu and his great grandmother was a hula dancer and chanter for King David Kalakaua. It was his grandmother who taught Aunty Emma Farden Sharp how to hula.

    I was going to art school at CCAC (California College of Arts and Crafts) in Oakland California in the late 60’s and into the early 70’s, Eddie and Myrna would send us copies of their latest music endeavors. I remember Christmas 1972, getting the boxed album LP and booklets of the Sons of Hawaii with illustrations and drawings by Herb Kawainui Kane. I’ll never forget how impressive the illustrations of Herb Kane were; especially the drawings on the red cover.  As an art student I was excited by the pairing of Herb Kane’s illustrations with the music of Eddie Kamae, Gabby Pahinui, Joe Marshall, David “Feet” Rogers, and Moe Keale. To me their sound on that album was the beginning of the Hawaiian Renaissance. It brought back memories of my childhood and of my Kupuna (Elders) and the music that I remember as a child growing up in South Kona, Kealia.

    Later when I graduated from CCAC, I returned to the Big Island of Hawaii and started playing music with my brother Moses. This was the mid 70’s and we were still inspired by the music of Eddie Kamae and the Sons of Hawaii. Dennis Kamakahi had joined the Sons replacing Gabby Pahinui who started his own thing with his own sons and friends including Ry Cooder. Dennis brought with him original compositions that gave, us young musicians, “permission” to write and compose our own songs. We all followed Dennis’s example and began writing our own songs. Both Eddie and Dennis were mentored by Tutu Kawena Pukui who was my own grandmother Tutu Emily Lihue Ho’opale Dulay‘s cousin from Ka’u on the Island of Hawaii.

    Eddie and Myrna’s song, “E Kuʻu Morning Dew,” (with Hawaiian lyrics by Larry Kimura) inspired me to write my first Hawaiian song with Kalani Meinecke called “Kai Malino” the “Peaceful Sea.” Along the way, many groups were inspired by Eddie Kamae and the music of the Sons of Hawaii, such as: Da Blalahs from Keaukaha in Hilo, and the Makaha Sons of Niihau from Waianae, and the Waiehu Sons from Maui, The Volcano Homestead Band, The Cazimero’s and Sunday Manoa and even ourselves, The Kahumoku Brothers. Eddie Kamae led us all into the heart of the Renaissance of Hawaiian music and culture.

    In 1975, many other Hawaiian life changing events took place on several levels. Native Hawaiians got recognized by the US government as being Native Americans and we formed Alu Like – a Native Hawaiian non-profit to register and count our Hawaiian Natives and document a needs assessment.

    The sailing of the Hokuleʻa canoe without modern navigation tools rekindled Native Hawaiian Pride as we began retracing our Native Roots back to Tahiti.

    Being Hawaiian and dancing the Hula had an upsurge of interest with the creation of the Merry Monarch Hula Festivals in Hilo by Aunty Iolani Luahine, Uncle George Naope and managed by Hilo Parks & Recreation director at Kulana Nauao, Aunty Dottie Thompson.

    There was a movement by the Protect Kahoʻolawe ʻOhana, the grassroots organization dedicated to the healing of Kanaloa-Kahoʻolawe starting with the stopping of the bombing on Kahoʻolawe.

    Eddie Kamae was researching old songs written by Queen Liliuokalani and bringing them to life again.

    I continued to get mentoring from Eddie and Myrna Kamae into the early 80’s and 90’s; sharing meals and music and friendship. Eddie urged me to write my own songs and to take charge of my own music and music career. He urged me not to sign away my musical rights to my songs or to my music and to register them with the copyright office and do my own thing.

    Eddie’s focus on Hawaiian music continued to evolve, changing from performing to documenting and telling Hawaii’s stories. He was looking beyond music. He began to focus on making films and movies about our Hawaiian musicians, our Hawaiian culture and oral telling of stories. He produced films on Sam Lia, and Luther Makekau– both legends in their own time! I helped Eddie and Myrna raise almost a half-million dollars through my connections in the legislature and he matched it with community grants from First Hawaiian Bank and Bank of Hawaii to create his film “A Hawaiian Way” that featured many Hawaiian Slack Key guitarists including me and my brother Moses.

    At the same time I was working on Ray Kane’s film called “That Slackkey Guitar” with producer/filmaker Susan Friedman. We filmed a segment at Hale O Hoʻoponopono for the film with Diane Aki and my young niece Kanani Enos.

    Over a period of 10 years, I moved to Kohala to ranch cattle and farmed alfalfa hay, moved back to Kona where I farmed coffee and ti leaf and raised pigs, and I with all my moves, I lost touch with Eddie and Myrna for a while.

    Then I reconnected with them in 2001 and played music with Eddie at the Rio Theater in Santa Cruz California where they were showing their film about Aunty Edith Kanakaʻole.

    Later in 2015, we again reconnected with Eddie and Myrna in Waikiki. We shared a meal and then interviewed Eddie for Dennis Kamakahi‘s film for The Masters of Hawaiian Music documentary film series that Dave Barry and I created.

    The message I learned from Eddie and Myrna Kamae was the message they had both learned from Tutu Kawena Pukui. Her message was to:

    share the music of our Kupuna or Elders, create the music of our time and places and to remember to always mentor, share and play for the children of Hawaiʻi Nei (“this [beloved] Hawaiʻi.”)

    It is because of Eddie and Myrna Kamae, that I have become the musician, mentor and story teller on film, that I am today.



  • Remembrance: Al and Elisabeth Achilles

    posted while on tour [February 11, 2017]…

    It is mid-February 2017 and I’m on a 6-week tour with Nathan Aweau and David Kahiapo. Tonight’s show is at CenterArts on the campus of Humboldt State University in Arcata, California.  Tomorrow we move on with two shows at the Blue Note at the Napa Valley Opera House…

    I tried to call my longtime friends of over 40 years, Al and Elisabeth Achilles who lived in Napa in Silverado but both of their phones were disconnected so I tried to “Google” them. Here’s what I got!

    Al and Elisabeth Achilles:  entry dated Jan 27, 2016:

    As friends and neighbors to Al and Elisabeth Achilles we are all sad to announce their passing. Al on September 11, 2015 and Elisabeth (Liz) on December 16, 2015. Though they had no children, they adopted everyone into their family. They never met a stranger whether you were the busboy, gardener or the head chef, you were the same… “they loved the cookie maker”. After going thru the war in occupied Holland they immigrated to the Dutch Island of Aruba, where they met and married. The next step was to the United States, where Al continued his pursuit as an electrical engineer, Liz continued work as a pharmacist. Settling in Oakland, California they enjoyed the culture and night life of the 50’s and 60’s.

    In 1969, Al moved his company, Golden Gate Switchboards, to Napa. This decision led to employment of many Napa natives. While working, it led to worldwide travels. Retirement led to vacations to South America, Caribbean Islands and Hawaii, all places warm.

    All through their life they were dedicated to The Environment and Animal Rescue Causes. Some of their passions were The Opera House, The White Barn and any venue that supported grass roots music; favorites being Steel guitar, Slack Key guitar, Steel Drum, Jazz and Classical.

    A special thanks to Bob and Carolyn, T.R. and Mary Jo for their kindness and support over the years. Also to Kaiser Hospice, especially Kathy and Jennifer, for your home nursing. Mary Ann Florida, Emma and all the other Caregivers.

    As per Al and Elisabeth’s, request no services were held. Donations may be made to Kaiser Hospice, Guide Dogs for the Blind, Napa Salvation Army. Memories may be shared on-line at:


    GK’s memories of Al & Elisabeth Achilles…February 2017

    I first met Al and Elisabeth Achilles in 1975, early into my musical gig at the MKBH (Mauna Kea Beach Hotel) on the Big Island. During the day, I was the Director and High School Principal of Hale o Ho’oponopono, an alternative Konawaena High School Program funded by Kamehameha Schools located at Pu’uhonua O Honaunau at the City of Refuge in South Kona.  During the nights I played music with my brother Moses.

    Al & Elisabeth were very friendly, inquisitive and wanted to visit my school and farm, going out of their way to visit me. Then they would take us and our families out to dinner at the Old Kamehameha Hotel in Kailua Kona to eat Al’s favorite, Prime Rib. Elisabeth always had fish.

    Later in the early and mid 1980’s, I was farming 1200 acres of alfalfa hay while running a 500 cow-calf operation and ranch in North Kohala.  They still visited me and again we always ate Al’s treat, a Prime Rib dinner. In fact, every year they returned and they always were interested in what I was farming, be it growing root ginger, taro, cucumbers, green beans, pigs, ti leaf, kona coffee, macnuts, avocados, guavas, or mangos. They loyally followed my teaching, farming and ranching career; as well as our music.

    In 1992, at the closing of the MKBH for a two-year renovation, my son Keoki and I moved to Maui to play music at the Westin Kaanapali. Guess what! Al and Elisabeth moved their yearly visit to Maui where we continued our annual family visits and Prime Rib dinners at Leilani’s on the Beach all the way until 2010.

    In the mid 1990’s when I started touring with Uncle Ray Kane, Keola Beamer, Led Kaapana, Dennis Kamakahi and Cyril Pahinui, Al & Elisabeth would drive all the way down from Napa to watch us play at the Freight & Salvage in Berkeley, Yoshi’s in Oakland or The Holiday Inn in Chinatown, or the Great American Music Hall and Slims in San Francisco.

    A couple of times my son Keoki and I even stayed at their home in Silverado in Napa and got to experience the cold waters of their swimming pool. We’d go to Safeway to pick up left over vegetables, carrots, cabbages, and less than fresh produce to feed to their friendly feral deer. My son Keoki and I were constantly tempted to catch their deer and have a BBQ but we respected their relationship with their deer friends.

    What I liked about Al and Elisabeth is that over a period of over 40 years, they loved not only our families and lifestyle, they also loved our music. They bought our music when it was on 8 track, 45’s, vinyl LPs and CDs and upgraded to the appropriate technology to go along with our music. They also were genuinely interested in us as Hawaiian people, our Hawaiian culture and our families and lifestyle. In 1994, we even wrote a song about “Jojo”, a famous wild orphan dolphin Al “met” in Aruba who would remember them every time they returned and would swim with Al whenever they returned to Aruba.

    Anyway, mahalo Akua for over 40 years of friendship with Al and Elisabeth Achilles and mahalo for blessing us with their Aloha and sharing all those years of Prime Rib dinners! We truly miss you both and especially at our upcoming performances at Blue Note at the Napa Valley Opera House.



  • Wendeanne Ke’aka Stitt & the Aloha Festival 2016

    We are happy to introduce you to our good friend Wendeanne Ke’aka Stitt. She is our kapa instructor for The George Kahumoku, Jr.’s 20th Anniversary Slack Key Guitar & Ukulele Workshop.

    Wendeanne Ke’aka Stitt is a mother, master textile artist and a maker of Hawaiian kapa cloth who has a 28 year history in the San Francisco Bay Area as a visual display artist. A life-long student of quilts and their makers, especially the Amish, she developed a respect for women whose lives were spent working long days, caring for their families, and creating beautiful quilts.

    Stitt is one of the original members of Kuku I Ka Pono – The Kapa Project, a group of Hawaiians and Hawaiians-at-heart who accepted a two-year apprenticeship in 2001 under the tutelage of Dalani Tanahy (Makaha, HI) to learn the ancient art of Hawaiian kapa making with the purpose of creating kapa cloth to use in the traditional Hawaiian burial of bones disturbed in construction and repatriated from museums worldwide.  Upon completing her apprenticeship, she continued her study and regularly demonstrates the art of kapa making in public demonstrations and educational forums so that she may share her knowledge and kapa lineage. Her kapa pieces are in collections worldwide.

    Recently Wende shared her experiences with us about displaying her work at the 2016 Aloha Festival in San Mateo, CA.


    Booth set-up for the Aloha Festival 2016.

    Fifteen years ago when the Aloha Festival was held on the parade grounds of the Presidio in San Francisco, our group Kuku I Ka Pono was invited to demonstrate kapa making. About half the group showed up and pounded the various stages of kapa to the curious eyes of festival goers. In our group was Kau’i Peralto, our Kumu ‘Olelo and my kapa sister Kaleolani De Sa who worked with PICA (The Pacific Islanders Cultural Association) and the creators of the Aloha Festival to arrange for us to demonstrate what we were learning in our two year kapa making apprenticeship.

    Today, Kaleolani De Sa is the President of PICA and teaches kapa making. Kau’i Peralto, who teaches papa ‘olelo at Stanford University, is the coordinator of the Cultural Exhibition and is responsible for quadrupling the number of exhibitors at this years’ festival. And I exhibited the five pa’u hula I made for Kumu Hula Mark Keali’i Ho’omalu of The Academy of Hawaiian Arts (Oakland, CA) in 2014/2015 as part of a Creative Work Fund grant.”



               Melt the Heart Moment

    “This crew showed up. And Kainani asked me to explain the kapa making process to them. T i n y little girls and Charles. T i n y little girls and Charles with their t i n y little attention spans. Think fast, woman, and don’t panic because the parents of all these t i n y little girls and Charles are in the background watching you.

    So the lecture quickly became a hands-on tutorial with each t i n y little girl and Charles taking their turn at pounding the softened tree bark with the giant hohoa. Some of the t i n y little girls had to hold the hohoa with both of their t i n y little hands. And once they were instructed to beat the bark not with anger like “when they mad at they momma” for not letting them do something they want to do but to pound with love and good thoughts because that is what will go into the kapa they followed one after the other in the sweetest display of pounding wauke I have ever witnessed. At that moment I wanted to take them all home and make them t i n y little kua la’au and t i n y little ‘ie kuku and line them all up and teach them all how to make kapa cloth. I have seen the future and it is the t i n y little girls and Charles and it is all good.”


    We are very excited to have Wende at our 20th Anniversary Workshop this year and hope you can join us too. For more information visit us online at kahumoku.com/workshop

     To Visit Wende’s Website wkstitt.com Click Here

  • Santa Cruz Mother’s Day 2016

    I ka La’i O Chaminade Resort & Spa
    (In the Calm of Chaminade Resort & Spa in Santa Cruz, CA)
    A poem by GK for Nancy on Mothers Day,  May 8, 2016

    At first, it’s cold and rainy

    The singsong of the Mexican voices high up on the roof
    mixed with the singsong of the chirping birds!
    Two Mexicans talking in pleasant voices, pleasant to my ear like a slackkey song!
    They… Are…
    Changing broken red tiles from a wind stormed fallen Eucalyptus Tree! High above changing tar paper and replacing red tiles

    I see and inquire about knee pads that I can use for weeding my garden. The Mexicans send me shopping!
    I’m so lucky!!!
    I got two sets of leather knee pads, some gloves and a tool pouch from ABC Roofing on Soquel Ave (Santa Cruz, CA).

    It is still over cast and cold! Swimming in the pool, I am hearing lapping water sounds as I lap the pool.
    Nancy gets few swirls for
    Mother’s Day in the warm pool

    I observe a single black headed sparrow bouncing about pecking left over scraps
    under the bar

    Swallows dart in and out of another red tiled roofed out building
    At least 50 swallows dart in and out
    as they sing their songs, chase each other and hunt down bugs!

    A huge black raven perches on the black wrought iron enclosure then flies off into the distance

    An orange chested solo robin lands on the gate and proceeds to find bugs and worms on the rough-scaped lawn of New Zealand hite clover and mixed weeds and grasses

    High above, a lone black headed sparrow dives into the pool for a dip!
    Nancy says he is diving for large mosquitoes floating on the water
    We watch him preen his feathers and shake off the excess water.
    I think to myself, he just wanted a bath!

    The Sun warms my face as more people and their children come to swim in the 82 degree heated pool.
    Others warm up their bones in the bubbling hot tub and Jacuzzi.

    It’s Mother’s Day at Chaminade Resort & Spa
    I look forward to the free breakfast upstairs and the all-you-can-eat buffet at Noon!
    Ooops I missed breakfast! It ended at 10 am.
    In the room, lucky I still have corned beef hash and poached eggs with fruit left over from Rosies!

    The Aloha Spirit lives
    I ka La’i O Chaminade Resort and Spa
    -In the calm of Chaminade Resort & Spa

    Nancy’s hair is dry, she’s calling me to get ready to pick up our son Geoff for Mother’s Day
    Then its round 3 of the Cabrillo Spring Concert Dance Series with daughter Jessie.

    –Uncle George